On
the 12th of April, we watched “Freedom Writers” – a movie starring
Hilary Swank. A highly moving and
thought-provoking movie, it brings forth the true story of how a classroom dominated
by immigrants and native students in America move from despondency, hate, and
revengefulness to inspiration, understanding, and a sense of
accomplishment. The teacher who guides
them through this, Erin Gruwell, clearly shows an understanding of where her
students come from and puts in her efforts to make her lessons a less alienating
experience for them. The strictly
hierarchical order of the school is brutal with efforts; the people caught in
the web of this bureaucracy not only refuse from helping her, but also prevent
her from pursuing her unconventional teaching methods.
More
than anything, this movie helped me bust a few of my own myths about a
constructivist classroom: I had always thought that both teachers and students equally
helped create a constructivist environment in the class, I realised that this
wasn’t quite necessarily the case. The
traditional dominant role of the teacher gave to her the power to make it
constructivist if she wanted to – that was usually how I have seen things happening
in most constructivist classrooms. This
movie, however, wasn’t any other white-teacher-uplifting-black-students
story. It showed the tensions and
complexities that lay on either end in a much better fashion than in some of
the other movies. The two are not shown
as polarities; rather, the problems faced by each, not merely by virtue of
their colour, but also by virtue of them being human beings with a number of
social relationships, are depicted.
What
struck me as the most vital issue the movie was hinting at, in terms of the
curriculum of school, was that of acute alienation felt by the students. None of the stories/ methods of teaching/
language used in the classroom were of the kind the children could relate to. And when Gruwell tried to bring in such
relatable books and methodologies, she was faced by stiff opposition from the
members of the bureaucracy of the school.
The movie critiques the odd position that most schools today (even in
India) have gotten into – the enormous stress laid on excellence and high standards
of the school are never quite given a second thought, examined more deeply, and
questioned more thoroughly. There is a
yawning gap between the intended lofty aims of a certain education and its
actual manifestations in the system. At
the backdrop of the movie, runs a call to rise against such empty conformist
tendencies; the least one could do is examine why one follows certain rules and
put forth questions that address its validity with changing times.
The
movie certainly touched a chord in me, and even brought a lump to my throat at
certain points in the narrative. Each
character seemed to have something special and important to say and there were
no real heroes – or, it could be said that they were all heroes in one way or
another.